By AshaLee Ortiz
March means one thing for educators: spring break. If you are anything like me, you may try to achieve some sort of balance between professional development, catching up on work responsibilities, and being able to take time to relax and recharge. Also, if you are anything like me, you will feel guilt about not being able to achieve any of these objectives with a semblance of success, tainting the time spring break is supposed to afford us to recharge for the final weeks of the school year.
For a music educator, February through April can be one of the most hectic times of the year. The beginning of second semester in the music world has a different, more serious tone, but also a frenetic feel to it as individual students and ensembles perform and prepare to perform at a plethora of events.
Spring break provides a slight reprieve to the insanity. It neatly cuts expected performances in half, making where and when I am required to be at concerts, festivals, and competitions seemingly manageable. I know many ensembles across the country use their spring break as an opportunity to travel with their students. This allows directors to sho
wcase the hard work ensembles have put in over the course of the school year, as well as to afford students performance opportunities that they will remember for a lifetime. I, however, do not subscribe to this practice for various reasons, mostly because, if I am being honest, I need the break.